Follow us on
français    deutsch  home
Any question? Please call +33 (0) 442 91 33 91
Euridice opéra séjours culturels
Vérone 14
Arrangement from Wednesday 28 August to Sunday 1st September 2024, 4 nights  Arena Festival
Aida - G. Verdi
Giuseppe Verdi (1813-1901) wrote his “Aida” at a politically highly explosive time: Germany and France were on the brink of war (Franco-Prussian War 1870/71), which is why the premiere could not take place until a year later after the scheduled date: Because both the stage sets and the costumes were stuck in the Prussian occupied Paris. The opera had been commissioned by the Egyptian Viceroy Ismail Pasha. However, not, as often wrongly assumed, for the inauguration of the Suez Canal, but for the opening of the new opera house in Cairo in 1871. Aida shows the versatility of this exceptional Italian composer in its entirety: large-scale mass scenes and choruses are juxtaposed with equally intimate, chamber-play-like scenes that reveal a soul drama that is ingenious in every detail. In this respect, the work can certainly be interpreted as a turning point in Verdi’s oeuvre, as it not only focuses on the vocal parts, but also assigns a new and leading role to the orchestra. Verdi received the 150,000 gold francs demanded for his composition, probably the highest honorarium granted to a composer to date. In addition, he demanded his own trumpets for the famous Triumphal March, the so-called Aida trumpets, which had to be commissioned as a special production. Today "Aida" is one of the most successful of the great operas of the 19th century.
Aida - G. Verdi, the 29
Daniel Oren - Gianfranco de Bosio
Anna Pirozzi,
Ekaterina Semenchuk
Ekaterina Semenchuk was born in the former Soviet Union in Minsk in 1976. She studied singing at the Rimsky-Korsakov Conservatory in St. Petersberg and made her debut at the famous Mariinsky Theater while still a student. Her broad repertoire includes important and technically demanding roles such as Azucena in Verdi’s Il trovatore, Princess Eboli (Don Carlo) and Amneris (Aida), as well as the roles of Santuzza (Cavalleria rusticana), Marina (Boris Godunov) and the title role of Carmen. The mezzo-soprano makes guest appearances at all the major international houses such as the Metropolitan Opera in New York, the Opéra de Paris, the Teatro Real in Madrid, the Royal Opera House Covent Garden in London, the Teatro alla Scala or at the Salzburg Festival.
Ekaterina Semenchuk,
Ludovic Tézier
Baritone Ludovic Tézier was born on September 10, 1968 in Marseille into a music-loving family. He developed a passion for opera very early on, and for Wagner in particular. Ludovic Tézier joined the Center national des Artistes Lyriques then the Lyric Art School of the Paris Opera. Ludovic Tézier began his career in 1992 on the stage of the Grand Théâtre de Genève, where he performed Pompeo in Berlioz’s Benvenuto Cellini. Speaking four languages, including Russian, Ludovic Tézier approaches with ease the most varied composers: from Mozart to Indy, via Verdi, Massenet or Tchaikovski.
Ludovic Tézier, Gregory Kunde, Alexander Vinogradov, Maharram Huseynov
Arena
Tosca - G. Puccini
"Tosca" was first performed on January 14, 1900 at the Teatro Costanzi, now the Teatro dell’Opera di Roma, symbolically on the spot. The evening was a major social event, and in addition to the Prime Minister and the Queen, the composers Pietro Mascagni and Francesco Cilea were also present. With his "Tosca" Giacomo Puccini (1858-1924) entered a new century and, with his highly theatrical and effective scenes, he committed himself to Verist opera on the one hand and to the tragic-heroic grand opera on the other. After seeing the drama of the same name by Victorien Sardous, which was a huge international success with Sarah Bernhardt in the leading role, the composer successfully applied to Sardou for the rights to create a libretto. The wealth of musical ideas (more than 60 themes appear as leitmotifs) and the breathless sequence of events are largely responsible for the immense tension and drama of the opera. By focusing on the main character, the work is considered a "prima donna opera" par excellence. Although it has always been suspected that a historical figure is behind Tosca, the characters and plot are freely invented. However, the background against which the plot unfolds is historically determined by the Second Coalition War and the Battle of Marengo in 1800 between French and Austrian troops. Napoleon’s supposed defeat and his final victory over the coalition troops are reported in the first and second act of the opera. Today "Tosca" is one of the most popular and most performed operas of all.
Tosca - G. Puccini, the 30
Daniel Oren - Hugo de Ana
Elena Stikhina
Soprano Elena Stikhina (*1986) is one of the outstanding young artists of our time and has already caused an international sensation in her field: after winning the prestigious Operalia Singing Competition in 2016 – an award that in the past has already been the career springboard for many glorious artists of our times – performances at the Opéra de Paris, the Deutsche Oper Berlin as well as the Staatsoper Unter den Linden and the Dresden Semperoper soon followed. In the 2018/2019 season, Stikhina made her successful debuts in the U.S., both at New York’s Metropolitan Opera, where she gave the title role in Giacomo Puccini’s ´Suor Angelica`, and as ´Tosca` at Boston Lyric Opera. In the summer of 2019, the Russian-born singer gave her much acclaimed premiere at the Salzburg Festival with the role of Medee – standing in for Sonya Yoncheva. With this, at the latest, Stikhina is about to establish herself from an outstanding young artist to one of the future big stars in the musical sky.
Elena Stikhina,
Jonas Kaufmann
Tenor Jonas Kaufmann was born on July 10, 1969 in Munich. He learned to play the piano at the age of 8, encouraged by his father and grandfather who passed on to him their passion for classical music, Wagner and singing. Jonas Kaufmann also frequently attended the Munich Opera from an early age and joined his school choir. He then embarked on studies of mathematics, which he abandoned to join, in 1989, the Academy of Music and Theater in Munich. Jonas Kaufmann gets his first important role at the Regensburg Opera where he is Caramello in A Night in Venice by Johann Strauss. Jonas Kaufmann then met Helmut Deutsch who guided him in his vocal development and still accompanies him today on the piano in his recitals. It was during the 2000s that his international career took off with his appearances in particular at the Chicago Opera, the Salzburg Festival, the La Monnaie Theater, Covent Garden, the Zurich Opera, the Staatsoper in Vienna, Munich, La Scala, New York Metropolitan Opera and the Bayreuth Festival. Comfortable in all repertoires, he then became one of the most popular tenors on the international scene.
Jonas Kaufmann,
Ludovic Tézier
Baritone Ludovic Tézier was born on September 10, 1968 in Marseille into a music-loving family. He developed a passion for opera very early on, and for Wagner in particular. Ludovic Tézier joined the Center national des Artistes Lyriques then the Lyric Art School of the Paris Opera. Ludovic Tézier began his career in 1992 on the stage of the Grand Théâtre de Genève, where he performed Pompeo in Berlioz’s Benvenuto Cellini. Speaking four languages, including Russian, Ludovic Tézier approaches with ease the most varied composers: from Mozart to Indy, via Verdi, Massenet or Tchaikovski.
Ludovic Tézier
Arena
The Barber of Seville - G. Rossini, the 31
George Petrou - Hugo de Ana
Jessica Pratt, Marianna Mappa, Lawrence Brownlee, Davide Luciano
Arena
Tour price Vérone 14 from
 
Price per person in double room
Due Torri *****
3 390 €
Accademia ****
2 430 €
Please contact us for individual supplement.
The tour price per person includes
Private transfers airport-hotel-airport.
Double room accommodation including breakfast.
Very good show seats.
Repatriation assistance (for residents of western Europe only).
Autres informations

On request, we can also offer you a higher category of room or accommodation.

Car rental, entry tickets for museums and exhibitions, as well as a large choice of shows can be reserved as a supplement. A private guided discovery tour of the city can also be added.

Feel free to contact us to modify, cut short or extend your A la carte stay.
Contact
Euridice Opéra
5 rue du 4 septembre
13100 Aix-en-Provence
France

Téléphone
+33 (0) 442 91 33 91

contact@euridice-opera.fr

Follow us on