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Euridice opéra séjours culturels
Munich 37
Arrangement from Saturday 13 to Tuesday 16 May 2023, 3 nights 
Rusalka - A. Dvořák
The lyrical fairy tale "Rusalka" was premiered in Prague in 1901. The touching and idyllic musical work by Antonín Dvořák transports the opera-goer into a colorful, atmospheric-melancholic dream world of timeless beauty and elegance. The vocal soloists find grateful tasks through the catchy and cantabile melodies - Dvořák also finally achieved his breakthrough in the stage dramatic field with his most successful opera. The story of an attempted incarnation fails, even though the mermaid Rusalka is able to take on human form and follow her beloved prince into his kingdom. However, in order to obtain a soul, she must bear the consequence mentioned by the witch Ježibaba: the transformed woman must remain mute. From now on, the prince experiences Rusalka as a stranger and soon succumbs to the seduction of another woman. Nature and human coexistence remain incompatible: as prophesied by Aquarius, Rusalka cannot experience the longingly awaited earthly happiness of love - nor is the prince’s romantic desire for an idealized, free-spirited world of nature fulfilled.
Rusalka - A. Dvořák, the 14, 18h
Henrik Nánási - Martin Kusej
Asmik Grigorian
Asmik Grigorian, born May 12, 1981 in Vilnius in a family of lyrical artists, has been a soloist of the Vilnius City Opera since its inception in 2006. She has twice received the Golden Stage Cross (the highest honor for singers in Lithuania ): in 2005, on the occasion of her debut in the title role of La Traviata, and in 2016, for her portrayal of Mrs Lovett by Sweeney Todd. Her international career took off in 2016 when she performed the title role of Madame Butterfly at the Stockholm Opera House where she was once again a guest for Fedora directed by Christof Loy. In the 2019-2020 opera season, Asmik Grigorian performs Chrysothemis at the Salzburg Festival in a new production of Elektra directed by Krzysztof Warlikowski.
Asmik Grigorian, Ewa Plonka, Dmitry Popov, Günther Groissböck
Staatsoper
Aida - G. Verdi
Giuseppe Verdi (1813-1901) wrote his “Aida” at a politically highly explosive time: Germany and France were on the brink of war (Franco-Prussian War 1870/71), which is why the premiere could not take place until a year later after the scheduled date: Because both the stage sets and the costumes were stuck in the Prussian occupied Paris. The opera had been commissioned by the Egyptian Viceroy Ismail Pasha. However, not, as often wrongly assumed, for the inauguration of the Suez Canal, but for the opening of the new opera house in Cairo in 1871. Aida shows the versatility of this exceptional Italian composer in its entirety: large-scale mass scenes and choruses are juxtaposed with equally intimate, chamber-play-like scenes that reveal a soul drama that is ingenious in every detail. In this respect, the work can certainly be interpreted as a turning point in Verdi’s oeuvre, as it not only focuses on the vocal parts, but also assigns a new and leading role to the orchestra. Verdi received the 150,000 gold francs demanded for his composition, probably the highest honorarium granted to a composer to date. In addition, he demanded his own trumpets for the famous Triumphal March, the so-called Aida trumpets, which had to be commissioned as a special production. Today "Aida" is one of the most successful of the great operas of the 19th century.
Aida - G. Verdi, the 15, première
Daniele Rustioni - Damiano Michieletto
Elena Stikhina
Soprano Elena Stikhina (*1986) is one of the outstanding young artists of our time and has already caused an international sensation in her field: after winning the prestigious Operalia Singing Competition in 2016 – an award that in the past has already been the career springboard for many glorious artists of our times – performances at the Opéra de Paris, the Deutsche Oper Berlin as well as the Staatsoper Unter den Linden and the Dresden Semperoper soon followed. In the 2018/2019 season, Stikhina made her successful debuts in the U.S., both at New York’s Metropolitan Opera, where she gave the title role in Giacomo Puccini’s ´Suor Angelica`, and as ´Tosca` at Boston Lyric Opera. In the summer of 2019, the Russian-born singer gave her much acclaimed premiere at the Salzburg Festival with the role of Medee – standing in for Sonya Yoncheva. With this, at the latest, Stikhina is about to establish herself from an outstanding young artist to one of the future big stars in the musical sky.
Elena Stikhina, Anita Rachvelishvili, Brian Jagde, Alexander Köpeczi, Alexandros Stavrakakis
Staatsoper
Tour price Munich 37
 
Price per person in double room
1 810 €
1 870 €
1 420 €
Please contact us for individual supplement.
The tour price per person includes
Private transfers airport-hotel-airport.
Double room accommodation including breakfast.
Very good show seats.
Repatriation assistance (for residents of western Europe only).
Autres informations

On request, we can also offer you a higher category of room or accommodation in other establishments : the Mandarin ***** or the Palace *****.

Transfers, car rental, entry tickets for museums and exhibitions, as well as a large choice of shows can be reserved as a supplement. A private guided discovery tour of the city can also be added.

Feel free to contact us to modify, cut short or extend your A la carte stay.
Contact
Euridice Opéra
5 rue du 4 septembre
13100 Aix-en-Provence
France

Téléphone
+33 (0) 442 91 33 91

contact@euridice-opera.fr

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