Arrangement from Wednesday 23 to Sunday 27 August 2023,
4 nights
Festival
"Macbeth" is Giuseppe Verdi’s (1813-1901) second of seven literary operas and is based on the drama of the same name by William Shakespeare. The premiere took place in 1847 at the Teatro alla Pergola in Florence, and revised versions were staged for the first time several years later in St. Petersburg and Paris.The creation of "Macbeth" falls into the late period of bel canto; Verdi dissolves the firmly established schemes in the singing and in this opera puts all his wealth of ideas into the focus of the orchestration, which was to become a signpost for his further compositions. The work was very well received on the whole, even if the lack of a love scene was criticized - in fact, "Macbeth" is one of the few operas whose plot is determined by greed for power and its resulting consequences.In 11th century Scotland, witches prophesy a future as king for the general Macbeth, which he acquires in a bloody manner. He is fired by his power-hungry wife, Lady Macbeth, whose character Verdi allows much greater room for maneuver than is the case in Shakespeare’s original. Macbeth’s tragic end concludes this opera rich in dramatic scenes.After several decades of oblivion, "Macbeth" is now part of the traditional Verdi repertoire and is performed on all the major stages.
Macbeth♪ - G. Verdi, the 24, nouvelle production
Franz Welser-Möst

Maestro Franz Welser-Möst, born in Linz in 1960, has now been working in the U.S. for almost 20 years as chief conductor and music director of the Cleveland Orchestra. He has never lost his ties to his home country of beautiful (Upper) Austria however. So he makes stops in Austria with his orchestra on world tours, but he also has a close partnership with the Vienna Philharmonic Orchestra. He performs worldwide, but also at the legendary New Year’s Concert at the Vienna Musikverein. In addition, he is a summer guest at the traditional Salzburg Festival, performing concert repertoire as well as exciting opera literature. In 2018, for example, the performance of Strauss` ´Salome` with a magnificent Asmik Grigorian caused quite a stir.On his 60th birthday, Welser-Möst published his book ´Als ich die Stille fand` (´When I Found Silence`), which provides more intimate insights into his own sometimes bumpy path through life and conducting, about nature and soul, and which also criticizes the classical music scene, which in some cases ´sells out`.
Franz Welser-Möst♪ - Krzysztof Warlikowski
Asmik Grigorian
Asmik Grigorian, born May 12, 1981 in Vilnius in a family of lyrical artists, has been a soloist of the Vilnius City Opera since its inception in 2006. She has twice received the Golden Stage Cross (the highest honor for singers in Lithuania ): in 2005, on the occasion of her debut in the title role of La Traviata, and in 2016, for her portrayal of Mrs Lovett by Sweeney Todd.Her international career took off in 2016 when she performed the title role of Madame Butterfly at the Stockholm Opera House where she was once again a guest for Fedora directed by Christof Loy. In the 2019-2020 opera season, Asmik Grigorian performs Chrysothemis at the Salzburg Festival in a new production of Elektra directed by Krzysztof Warlikowski.
Asmik Grigorian♪, Vladislav Sulimsky,
Jonathan Tetelman
Jonathan Tetelman, born in Castro, Chile, in 1988, grew up with American adoptive parents in Princeton, New Jersey. A music teacher discovered the boy’s vocal talent and he took his first lessons at the American Boychoir School in Princeton. After graduating as a baritone, he continued his studies and gradually switched to tenor.In the meantime, Tetelman worked as a DJ in a Manhattan club to earn a living. He then concentrated on his singing career again. In the meantime, the charismatic singer has appeared with title roles on the stages of many renowned houses, thrilling audiences with his radiant, unmistakable tenor voice and signing an exclusive contract with Deutsche Grammophon in the fall of 2021. His debut album will be released in the summer of 2022.Be curious about this voice, it’s worth it.
Jonathan Tetelman♪, Tareq Nazmi
Grosses Festspielhaus
Verdi’s work of old age and at the same time the last opera from his pen belongs to the genre of commedia lirica. The premiere of “Falstaff” took place to great acclaim at the Teatro alla Scala in Milan in 1893 and ushered in a renaissance of comic opera at the turn of the century. Falstaff influenced, among others, the cheerful stage works of Richard Strauss and also the brilliant “Gianni Schicchi” by Giacomo Puccini.The character of Falstaff describes an old man, very obese and fond of drinking, poltrous, who sets out with shrewdness and quick-wittedness to replenish his dwindling financial reserves. This burlesque and entertaining story tells how he succeeds, what intrigues are forged and who ends up happy with whom.Arrigo Boito wrote a witty libretto based on William Shakespeare’s “The Merry Wives of Windsor” (including scenes from “Henry IV”), which sparkles with wit and wordplay. Verdi composed the opera at the age of almost 80, and perhaps the fact that as a celebrated composer of the century he no longer had anything to prove to anyone may have contributed to the musical realization being so pointed, lively and authentic.
Falstaff♪ - G. Verdi, the 25, nouvelle production
Ingo Metzmacher - Christoph Marthaler
Elena Stikhina

Soprano Elena Stikhina (*1986) is one of the outstanding young artists of our time and has already caused an international sensation in her field: after winning the prestigious Operalia Singing Competition in 2016 – an award that in the past has already been the career springboard for many glorious artists of our times – performances at the Opéra de Paris, the Deutsche Oper Berlin as well as the Staatsoper Unter den Linden and the Dresden Semperoper soon followed. In the 2018/2019 season, Stikhina made her successful debuts in the U.S., both at New York’s Metropolitan Opera, where she gave the title role in Giacomo Puccini’s ´Suor Angelica`, and as ´Tosca` at Boston Lyric Opera. In the summer of 2019, the Russian-born singer gave her much acclaimed premiere at the Salzburg Festival with the role of Medee – standing in for Sonya Yoncheva. With this, at the latest, Stikhina is about to establish herself from an outstanding young artist to one of the future big stars in the musical sky.
Elena Stikhina♪, Cecilia Molinari, Tanja Ariane Baumgartner, Gerald Finley,
Simon Keenlyside
Born in London on August 3, 1959, Simon Keenlyside made his baritone debut at the Hamburg Staatsoper in The Marriage of Figaro (Count Almaviva). Simon Keenlyside has performed on major international opera stages such as the Metropolitan Opera in New York, the Royal Opera House in London, the Munich and Vienna Operas in roles such as Prospero (The Tempest), Posa (Don Carlo), Germont Father (La Traviata), Papageno (Die Zauberflöte), Almaviva as well as the title roles of Don Giovanni, Eugène Onéguine, Pelléas et Mélisande, Wozzeck, Billy Budd, Hamlet, Macbeth and Rigoletto.
Simon Keenlyside♪
Grosses Festspielhaus
Les Troyens - H. Berlioz, the 26, version de concert, 17h
Sir John Eliot Gardiner
Alice Coote, Paula Murrihy, Michael Spyres, Lionel Lhote, Ashley Riches, William Thomas
Grosses Festspielhaus