Arrangement from Saturday 26 to Thursday 31 August 2023,
5 nights
Festival
Concert of the Berliner Philharmoniker, the 27
M. Reger : Variations et fugue sur un thème de Mozart
R. Strauss : Ein Heldenleben
Kirill Petrenko
Kirill Petrenko is a Russian-Austrian conductor. His father was a violinist and his mother a musicologist. Kirill Petrenko studied piano as a youth and made his debut as a pianist at the age of 11. After studying music in Vienna, Kirill Petrenko conducted his first opera at the Volksoper in 1995. Kirill Petrenko is currently the conductor of the Berlin Philharmonic Orchestra.
Kirill Petrenko♪
Grosses Festspielhaus
Concert of the Berliner Philharmoniker, the 28, 21h
J. Brahms : Variations sur un thème de Haydn en si bémol majeur
A. Schönberg : Variations pour orchestre
L. van Beethoven : Symphonie n° 8 en fa majeur
Kirill Petrenko
Kirill Petrenko is a Russian-Austrian conductor. His father was a violinist and his mother a musicologist. Kirill Petrenko studied piano as a youth and made his debut as a pianist at the age of 11. After studying music in Vienna, Kirill Petrenko conducted his first opera at the Volksoper in 1995. Kirill Petrenko is currently the conductor of the Berlin Philharmonic Orchestra.
Kirill Petrenko♪
Grosses Festspielhaus
Concert of the Wiener Philharmoniker, the 29
J. Brahms : Concerto pour piano n° 2 si si bémol majeur
A. Dvořák : Symphonie n° 8 en sol majeur "Englische"
Jakub Hrůša
Piano :
Igor Levit
Born in Russia in 1987 and raised in Germany, Igor Levit studied piano at the Hochschule für Musik, Theater und Medien in Hanover and now lives in Berlin. The master pianist focuses primarily on Beethoven’s works, both on stage and in his CD recordings - his highly acclaimed recording of Beethoven’s complete 32 piano sonatas is the most recent proof of this.Levit performs worldwide with renowned orchestras such as the Berlin Philharmonic, London Symphony Orchestra, Leipzig Gewandhaus Orchestra, New York Philharmonic and Vienna Philharmonic, in addition to his solo recitals.In 2019, Levit accepted a professorship for piano at his former training center in Hanover in order to pass on his experience to the next generation of artists.For his socio-political commitment, Igor Levit was awarded the International Beethoven Prize in 2019 and the Federal Cross of Merit by German President Steinmeier in 2020.
Igor Levit♪
Grosses Festspielhaus
Verdi’s work of old age and at the same time the last opera from his pen belongs to the genre of commedia lirica. The premiere of “Falstaff” took place to great acclaim at the Teatro alla Scala in Milan in 1893 and ushered in a renaissance of comic opera at the turn of the century. Falstaff influenced, among others, the cheerful stage works of Richard Strauss and also the brilliant “Gianni Schicchi” by Giacomo Puccini.The character of Falstaff describes an old man, very obese and fond of drinking, poltrous, who sets out with shrewdness and quick-wittedness to replenish his dwindling financial reserves. This burlesque and entertaining story tells how he succeeds, what intrigues are forged and who ends up happy with whom.Arrigo Boito wrote a witty libretto based on William Shakespeare’s “The Merry Wives of Windsor” (including scenes from “Henry IV”), which sparkles with wit and wordplay. Verdi composed the opera at the age of almost 80, and perhaps the fact that as a celebrated composer of the century he no longer had anything to prove to anyone may have contributed to the musical realization being so pointed, lively and authentic.
Falstaff♪ - G. Verdi, the 30, nouvelle production
Ingo Metzmacher - Christoph Marthaler
Elena Stikhina

Soprano Elena Stikhina (*1986) is one of the outstanding young artists of our time and has already caused an international sensation in her field: after winning the prestigious Operalia Singing Competition in 2016 – an award that in the past has already been the career springboard for many glorious artists of our times – performances at the Opéra de Paris, the Deutsche Oper Berlin as well as the Staatsoper Unter den Linden and the Dresden Semperoper soon followed. In the 2018/2019 season, Stikhina made her successful debuts in the U.S., both at New York’s Metropolitan Opera, where she gave the title role in Giacomo Puccini’s ´Suor Angelica`, and as ´Tosca` at Boston Lyric Opera. In the summer of 2019, the Russian-born singer gave her much acclaimed premiere at the Salzburg Festival with the role of Medee – standing in for Sonya Yoncheva. With this, at the latest, Stikhina is about to establish herself from an outstanding young artist to one of the future big stars in the musical sky.
Elena Stikhina♪, Cecilia Molinari, Tanja Ariane Baumgartner, Gerald Finley,
Simon Keenlyside
Born in London on August 3, 1959, Simon Keenlyside made his baritone debut at the Hamburg Staatsoper in The Marriage of Figaro (Count Almaviva). Simon Keenlyside has performed on major international opera stages such as the Metropolitan Opera in New York, the Royal Opera House in London, the Munich and Vienna Operas in roles such as Prospero (The Tempest), Posa (Don Carlo), Germont Father (La Traviata), Papageno (Die Zauberflöte), Almaviva as well as the title roles of Don Giovanni, Eugène Onéguine, Pelléas et Mélisande, Wozzeck, Billy Budd, Hamlet, Macbeth and Rigoletto.
Simon Keenlyside♪
Grosses Festspielhaus