Arrangement from Thursday 30 January to Monday 3 February 2025,
4 nights
Giuseppe Verdi (1813-1901) wrote his “Aida” at a politically highly explosive time: Germany and France were on the brink of war (Franco-Prussian War 1870/71), which is why the premiere could not take place until a year later after the scheduled date: Because both the stage sets and the costumes were stuck in the Prussian occupied Paris. The opera had been commissioned by the Egyptian Viceroy Ismail Pasha. However, not, as often wrongly assumed, for the inauguration of the Suez Canal, but for the opening of the new opera house in Cairo in 1871.Aida shows the versatility of this exceptional Italian composer in its entirety: large-scale mass scenes and choruses are juxtaposed with equally intimate, chamber-play-like scenes that reveal a soul drama that is ingenious in every detail. In this respect, the work can certainly be interpreted as a turning point in Verdi’s oeuvre, as it not only focuses on the vocal parts, but also assigns a new and leading role to the orchestra.Verdi received the 150,000 gold francs demanded for his composition, probably the highest honorarium granted to a composer to date. In addition, he demanded his own trumpets for the famous Triumphal March, the so-called Aida trumpets, which had to be commissioned as a special production. Today "Aida" is one of the most successful of the great operas of the 19th century.
Aida♪ - G. Verdi, the 31
Daniel Oren - Robert Carsen
Anna Pirozzi,
Ekaterina Semenchuk
Ekaterina Semenchuk was born in the former Soviet Union in Minsk in 1976. She studied singing at the Rimsky-Korsakov Conservatory in St. Petersberg and made her debut at the famous Mariinsky Theater while still a student. Her broad repertoire includes important and technically demanding roles such as Azucena in Verdi’s Il trovatore, Princess Eboli (Don Carlo) and Amneris (Aida), as well as the roles of Santuzza (Cavalleria rusticana), Marina (Boris Godunov) and the title role of Carmen. The mezzo-soprano makes guest appearances at all the major international houses such as the Metropolitan Opera in New York, the Opéra de Paris, the Teatro Real in Madrid, the Royal Opera House Covent Garden in London, the Teatro alla Scala or at the Salzburg Festival.
Ekaterina Semenchuk♪, Amartuvshin Enkhbat, Riccardo Massi, Alexander Köpeczi, George Andguladze
Royal Opera House
Jenufa - L. Janáček, the 1
Jakub Hrůša - Claus Guth
Corinne Winters, Karita Mattila, Thomas Atkins, Nicky Spence
Royal Opera House
Concert of the London Symphony Orchestra, the 2
R. Schumann : Concerto pour piano en la mineur
G. Mahler : Symphonie n° 7 en mi mineur
Daniel Harding
Piano :
Daniil Trifonov
Audiences and critics worldwide agree: Daniil Trifonov is an exceptional pianist and has catapulted himself into the top tier of artists with his technically brilliant and at the same time expressively virtuoso piano playing. Trifonov, whose full name is Daniil Olegovich Trifonov, was born in 1991 in Nizhny Novgorod, Russia, and received his first piano lessons at the age of five. He later studied piano and composition at the Gnessin Academy of Music in Moscow and at the Cleveland Institute of Music. Trifonov’s extensive repertoire spans epochs from solo concertos to chamber music and large orchestral concerts. In addition to the classical piano repertoire, Trifonov regularly performs his own compositions with great success and recognition.In the course of his concert activities, the pianist has worked with renowned orchestras and renowned conductors, including the London Symphony Orchestra, the Vienna, Berlin and Munich Philharmonic Orchestras, the Mariinsky Orchestra or the Amsterdam Concertgebouw Orchestra as well as Sir Simon Rattle, Valery Gergiev and Riccardo Muti, among others.Trifonov’s CD recordings have also been nominated several times for Grammy Awards and his album "Transcendental" was awarded the prize for Best Instrumental Solo Album 2018.
Daniil Trifonov♪
Barbican Centre